Each hair-raising
soundbite that Mitzi releases into the world started off as a recording of a
real murder, and Mitzi has a collection of hundreds of clips, some of which
were made by her father, before she got into the profession.
So when
Foster Gates hears what he thinks is a clip of his long-missing daughter screaming
in a film, he tracks Mitzi down to question her, and doesn’t like what he
learns.
Chuck Palahniuk
has a vastly underrated talent – he makes the macabre fascinating. As he delves
into a possible underbelly of a well-known industry like Hollywood, he sows
seeds of doubt and derision, and it’s glorious. Few writers have the skill to
make a seemingly implausible storyline so convincing and engaging, and yet
Palahniuk does it every time he writes a new book.
That’s not necessarily
to say he’s glorifying the seediness of the world, but in making readers
uncomfortable, he’s starting important conversations and raising an important
point; there’s no escaping the ugliness of the world. Reading a Palahniuk novel
often feels like a bad trip – situations and events are turned on their heads,
and a quiet unease permeates the storyline, but that’s exactly what makes his
work so appealing. Simply put, he’s a pioneer, and the world he’s creating is a
dark mirror or truth.
The
Invention of Sound by Chuck Palahniuk is published by Corsair Books, an imprint
of the Little, Brown Book Group, and is available in South Africa from Jonathan
Ball Publishers.
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