Wash knows
nothing of the world beyond the borders of Faith. A slave on the ironically
named plantation in Barbados, his life has been a series of abuses, both
experienced and witnessed. Among the dark dirt and tall sugar cane, and under
the careful yet heavy hands of Big Kit, Wash manages to survive his first
decade on the plantation. Through keeping his head low and his back bent, Wash
works his way through a world no bigger than his immediate surroundings.
Despite his best efforts and Kit’s protection, Wash is not invisible to the
plantation owner, and following a summons to the manor house, his world changes
irrevocably.
Christopher
‘Titch’ Wild, brother to the young boy’s slave master, seeks to recruit Wash
into his service – not for field work, but in science. Titch seeks to make real
his Cloud Cutter, an immense flying machine and gravitational feat, but for
that he needs a body small enough to not disrupt the careful balance that could
cause the project to fail. For this, he needs Washington Black.
Told from
the protagonist’s perspective, there is an enormous evolution both of narrative
and of the form in which it is presented. Wash’s fear and sheer wonder are
initially hesitantly expressed; an illiterate boy who has spent his life as a
slave has no need for eloquent speeches and insights; instead, he relays the
world as he sees it; chaotic, disorganized, and limited to his sphere of
experience. The delicate and yet powerful growth of this young boy is reflected
through his understanding of the world, and thus is narration of it. Edugyan
has encompassed an entire life into her narrative, and it is remarkable and
beautiful. Through Wash’s eyes, we see the world anew, in all its gore and
glory.
To describe
Washington Black as anything less than poetry is to do Eduygan a massive
disservice. This book is a carefully arranged and incredibly moving ode to the
suffering of others, and the redemptive powers of growth, compassion, and
change. The brutality of the character’s lives in a time of immense cruelty is
countered and somewhat tamed by an injection of fantasy and wonder that makes
Wash’s story not just palatable, but memorable. Through amazing skill and
creativity, Esi Edugyan presents the reader with a unique opportunity; to read
of horrors beyond imagining as the foundation of something beautiful and truly
mesmerizing.
Washington
Black by Esi Edugyan is published by Serpent’s Tail, an imprint of Profile
Books, and is available in South Africa from Jonathan Ball Publishers.
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