One of the
trends followed by most YA series is the happy ending – the reward of
sacrifices and trials and the goal and aim of protagonists the (literary) world
over. However, few writers seem to address the time after the happy ending.
Once the boy gets the girl, or the girl saves the world, or the boy overthrows
a corrupt government, or the aliens retreat, what happens? Does everything
magically go back to ‘normal’? Do the characters ever think fondly back on
their hero days as they plod through a humdrum existence of bills, work, and
tax? Yes, that sneaky question of ‘what next’ holds less sway than the events
that led to it being safe to ask. Until now.
It’s a
great risk to extend a series beyond the accepted happy ending. When another
narrative is stitched to the end of an existing one, it can either ruin the
entire ensemble, or add a much-needed flair and rounding off. Luckily for me,
Alexander Bracken’s newest offering in The Darkest Minds series is the latter.
The last book in the series (In the After Light) seemed to be the best place to
end our relationship with the young men and women that carried us through this
post-apocalyptic world of supernatural abilities and corrupt governments. The
girl got the boy, the government was reformed, families were reunited, and the
kids no longer had to live in fear. I thought this was the end of my time with
Bracken’s characters, but I was wrong. The Darkest Legacy, as the name
suggests, takes place after we left the kids to their happy ending – several
years later, in fact, and it feels like coming home.
In the
opening chapters I was hesitant – was Bracken trying to hard to bring back to
life a successful franchise through one of the series’ more minor characters?
Was she flogging a dead horse? Luckily, and somewhat surprisingly, the answer
is a resounding no. Narrated through a fresh perspective, The Darkest Legacy
takes us beyond the happy ending into a world in which nothing comes easily,
and all freedoms must be earned. When attacks on Psi children and new, restrictive
measures to control the newly redeemed supernatural populace are introduced, Zu
and her colleagues refuse to allow their hard work to be reduced to a public
relations stunt. Reluctant to go back to war, they sadly have no other choice
as plots incriminating Zu explode across the media, putting the young woman
back on the run, and desperate to clear her name, and finally bring about
lasting change.
Bracken has
a talent for emotions and the myriad ways they can be displayed. Hers are books
that leave you feeling as enraged or butterfly-tummied as the characters; her
writing is enticing and immersive, allowing you to become part of the world she
has crafted. In addition, to see real, lasting growth in characters we met in
their youth is as rewarding as it is addictive. Any questions we may have had
are comprehensively answered, through a more mature perspective, which is in
itself a pleasing turn of events. Sometimes, experiencing the upended world
through the eyes of preteens can be infuriating and shallow – at last, we get
to see the experience this upheaval with maturity, through adult eyes.
This book
has many appealing features – excellent writing, likeable characters, budding
relationships, intrigue, and a dash of wit and violence. Unfortunately, The
Darkest Legacy can’t successfully be read as a stand-alone novel, as its
roots are too deeply entrenched in the rest of the series, but don’t let that
stop you. Read all four; I insist.
The
Darkest Legacy y Alexandra Bracken is published by Quercus Books, an imprint of
Hodder & Stoughton, and is available in South Africa from Pan Macmillan
Publishers.
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