Daniel
Tammet is an explorer and treasure seeker, and his prize is language. Tammet is
uniquely qualified for a linguistic adventure, through his synaesthesia – the ability to interpret
one sense as another. In his case, Tammet sees language as a visible construct –
shapes, colours and textures. Initially fluent in the language of numbers (even
composing poems of numbers), Tammet has always had a remarkable yet perhaps
unusual relationship with words – they are more than pen strokes on a page, but
physically represent a shape, feeling, texture or colour, arranging themselves
in unusual partnerships and illustrating their links to their brethren through
manners invisible to many.
Tammet’s
unique experience of language thus illustrates to the reader the immense
richness of any language, the amazing possibilities in prefixes and suffixes,
the playful manner in which a language can be constructed and destructed,
allowing one to see it anew. This rebirth of language in the mind of the reader
is a moving a deeply rewarding experience, which Tammet gracefully and
intelligently communicates.
Daniel
Tammet has allowed me the opportunity to view my mothertongue anew, as a
creature which constantly evolves, adapts and and translates. As he declares, “English
never stops.” Through the book’s unique interpretation of words, sounds and the
squiggles which indicate both, it becomes apparent that no language is fixed –
while rules govern grammar and structure, the feelings and imagery inspired by
a specific expression can be interpreted differently be many readers – in fact,
it is safe to say that every person translates their own language, as well as
that of others. Indeed, the author explains an incredibly powerful aspect of
language and communication, “To be fluent, we must animate words with our
imagination”.
Every Word
is a Bird we Teach to Sing is a rewarding experience, a ticket to Tammet’s
journey in search of what makes language just that, and the politics, history
and evolution behind communication. His book truly has the power to change the
way we view language as a tool which allows us to communicate.
Throughout
its forages into the various complexities of language and communication, Tammet
makes a point of leaving you with the realization that what is most important
in this all is meaning, not the words or gestures you use to provide it.
Tammet’s is
a book which makes scholarly investigation exciting, and which makes greater understanding
possible. I cannot adequately praise his efforts, but I leave you with an instruction; he is a pathfinder, and we should follow him.
Every Word
is a Bird we Teach to Sing by Daniel Tammet is published by Hodder &
Stoughton, an imprint of Hachette Books, and is available in South Africa from
Jonathan Ball Publishers.
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