For her
crime, May is sentenced to be a Sin Eater; a woman cast out by the society that
branded her to take upon her body the sins of the dying. For each sin named, there
is an accompanying food that must be eaten before the dying can return top the Maker.
Yet the reward for the Sin Eater’s task is thankless – they may not be touched,
spoken tom, or looked out – they are the incarnation of sin, and they are
feared and hated throughout the land.
Despite the
awful punishment, and the loss, confusion and anguish which follow it, May
tries her best to adjust to her new life under the silent and hostile gaze of
the town. However, when the new Sin Eater accidentally uncovers a royal scandal
that could change the very nature of her life, she must decide the best path to
take; break her vow and speak up, or maintain her silence and her duty while people
die.
There’s
something darkly seductive about The Sin Eater. Between lines of dancing
prose dwells a story that’s as shocking as it is intriguing, in which the world
as we know it has been tweaked and shaped into a dazzling story about life’s
unseen horrors. Campisi presents a belief system that it skewed, and a royal
bloodline plagued by dissent, jealousy and murky secrets. Here, history is
unreliable, witchcraft is blossoming, and religion is a many-faceted monster
that causes as much good as it does pain. And yet the system remains unchallenged,
fostering a sense of discomfort which builds throughout the narrative, culminating
in well-earned pity for the protagonist, as well as a roaring anger at the
multiple injustices of the world – both fictional and not.
The
Sin Eater by Megan Campisi is published by Mantle, an imprint of Pan MacMillan.
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