To make matters worse, Robert’s aging
parents have just revealed that they plan to leave mortality behind them in a
macabre pact, while a journalist has come into the possession of damning photos
from his youth. It’s a bit of a shitstorm, and Robert is no sailor.
As he becomes more convinced of the
conspiracies around him, his relationships and job suffer, cruelly morphing
into a sick sort of self-fulfilling prophecy that leads Robert to wonder if he had
been blind his whole life, only to really see for the first time, or if he’s
finally going mad.
It seems impossible to think that a writer could
take a mundane story into something sinister, conspiratorial and dramatic, but that
is precisely what Herman Kock has made of Robert Walter’s story, and that, dear
readers, is talent. The Ditch not only fits into the niche of the male mid-life
crisis, but it reinvents it. Robert’s crisis of faith is about more than sex or
politics or wealth – it is an animal need to realise one’s real place in the world,
and to finally see the line between fiction and fantasy that can upend a life.
Littered with dry humor, wit and poignant
social commentary, The Ditch is a true literary feast that is both
entertaining and enlightening. It affords a curated glance into a world that
proves that the world remains full of stories, even hidden behind the mundane,
if only we can tell them well enough. Herman Koch has a unique talent to tell
any story, and to do it brilliantly.
The Ditch by Herman Koch is published
by Picador, an imprint of Pan Macmillan.
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