In a dying
world in which the Company has a monopoly on genetic experimentation, anything
is possible, in any number of ways. Indeed, for Grayson, Chen and Moss, each
iteration of the world is similar, yet eerily unpredictable and discordant. As
the trio jump between space and time, they routinely emerge in a different
version of the world they know, yet always with the same goal: stop the Company.
However, this is easier said than done when faced with a massive corporation
with endless resources and several questionable moral and ethical views.
Yet no
story occurs in isolation, and our astronauts are not the only characters with
agency and import. The many converging and diverging realities we’re herded
through are home to a variety of equally charismatic antagonists in the form of
decidedly unhuman genetic composites. This deviation from traditional fiction –
both physical and ethical – serves as a stomach-churning and brain-prodding rebellion
against conventional notions of the inner workings of the Other.
Dead
Astronauts features
no preamble and opens immediately into an established, chaotic world. From the
first page, the reader is in the middle of already active plot. While this is
at times confusing, it also gives the reader an opportunity to play detective –
to establish exactly what happened to turn the world on its head, and why. Vandermeer’s
decision to throw readers into the deep end of literary waters forces us to
surrender our comfort, necessitating hyper-vigilance to navigate this strange world
without feeling overwhelmed or abandoned. Simultaneously, it emphasizes the
loss of control and order that result from humanity’s hubris in attempts to
play God. Indeed, the confusion bred from the trippy timelines and events quietly
molds us into a silent fourth astronaut, desperate to make sense of our
surroundings.
A writer of
considerable skill, Vandermeer compounds his challenging narrative with an
impressive display of literary and linguistic gymnastics. Vandermeer seems to
believe that just as a storyline can be warped and made to follow unusual
patterns, so too can its prose. The effect is a dream-like surrealism that
tickles every part of your brain, and ensures you work for your reading
pleasure.
Occasionally,
you come across a writer that shatters boundaries and defies belief; someone
whose words lodge in your brain; stray lines and phrases nestling in your
heart. Jeff Vandermeer is such a writer. He is a revolutionary who abolishes literary
norms, taunts convention, and creates something new and inexplicable. Vandermeer
holds sway over more than just words; he is the keeper of the unexpected and the
conductor of vivid emotions
Dead
Astronauts is not a
book for everyone – it requires dedication, effort, and more than a little
suspension of disbelief. It is not an easy read. However, it is an immensely
satisfying journey that will be the ultimate reward for language lovers and
fans of experimental fiction alike. Luckily, I fall within the latter category,
and found this book to be a true delicacy. If you are willing to follow a dark
and twisted path to the unknown, Dead Astronauts will be your guide.
Dead
Astronauts by Jeff Vandermeer is published by 4th Estate, an imprint
of HarperCollinsPublishers, and is available in South Africa from Jonathan Ball
Publishers.
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