For the
first time, Charlie Friend has come into some money. Not for the first time, he’s
about to get rid of it. £86000 later,
he is the proud owner of Adam, one of 25 AI humanoids produced globally. While he
would have preferred an Eve, the female counterpart to his purchase, he remains
enthralled by Adam. Charlie plans to personalise Adam’s clean slate of a
personality together with his neighbor, Miranda. In so doing, he hopes to be
drawn closer to her through this, their ‘creation’.
As can be expected,
Adam’s interpretation of the world is rapid, clean cut, and impressive. He takes
to any task seamlessly, and is a constant reminder of the lightning speed that
is technological evolution. Through his eyes, we learn anew what it means to
discover, to love, and to grieve. As the trio falls into the rhythms of a new,
shared life, we can only wonder at who is truly synthetic, and within whom true
humanity resides.
There are many things
to like about this novel, including an exhilarating look at an alternate 1980s
England in which Margaret Thatcher is still the Iron Lady, and Alan Turing is
alive and as mathematically brilliant as ever. These are, however, slightly
dimmed by the presence of literary irritants, such as the long soliloquies about
politics and personal frustrations at the hands of a somewhat boring narrator with
a penchant for deluded narcissism. All the more annoying is that one can’t help
feel that Charlie was designed to be disliked; a clever tool in a brilliant
creation with a brilliant and mesmerizing overall effect. Charlie’s droning
serves as a stark contrast to the enigma that is Adam, sneakily hoisting upon the
latter the feelings we usually lovingly heap upon human narrators.
There is something
fascinating and illuminating in questioning humanity, and the boundaries
between real and unreal that makes a book like this an instant classic. Paired with
Ian McEwan’s ability to get under the reader’s skin and cleverly guide our
thoughts and emotions, Machines like Me
is a delightful contribution to the existent body of related works. What sets
this novel above its peers, however, is its unexpected ending, and its vastly
imaginative world rooted in stark black and white.
Machines like Me is published by Jonathan
Cape, an imprint of Penguin Random House.
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