Two children
have been found dead. However, they were from Green Valley, so the police aren’t
going to do anything about it, with the exception of Lucie. She’s a cop with
invested interest in the case; her niece is in Green Valley.
The
idyllic-sounding city has been independent of Stanton for some years, with the concrete
wall separating the two extending to policing, justice and laws. Green Valley,
with its technological advancement and virtual reality, might as well be
another world, but that doesn’t stop Lucie from wanting to enter it to find the
little girl. As the journey will be risky to both her career and her safety,
Lucie can’t afford to enter Green Valley unless she’s absolutely sure of what
she’ll find – or won’t find.
Green Valley is a portrait of duality from start to finish –
its very name is the first hint of the creative sneakiness that’s to come; a
lush wonderland heralded as a paradise is actually tucked away in a crumbling concrete
bubble. Much to the delight and frustration of the reader, this war between
what is and what appears to be plays out throughout the narrative; doubts about
the characters and situations filter through to the forefront of the reader’s mind
constantly.
Green Valley is a very clever, very eerie reminder that ugly
truths may lie beneath a beautiful veneer, and that the image of happiness is
not happiness itself. In a thoroughly modern yet ageless epic, our protagonist
must wander the world in the search of the ultimate prize –truth. As Greenberg
effortlessly demonstrates, seeing is not always believing, and the fine line
between technological advancement and physical destruction is not always
visible. This is a story that is slick, action-packed and thrilling; a marriage
of suspense and horror, with a carefully crafted crime story on the side. All that’s
left to ask is whether this book is a futuristic prediction, or a prediction of
the future.
Green Valley by Louis
Greenberg is published by Titan Books, and is available in South Africa from
Jonathan Ball Publishers.
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