In a world of
unremarkable grey, Ia searches for a rainbow. For 13 years she’s lived in a
caravan along the Cornwell coast; an outcast and anomaly among her own people. Throughout
this time, her only solace has been the peace afforded her when her husband is
away fishing – Ia’s world is two-part; the seen and unseen.
Her seen world
comprises hard work, an abusive husband, and a narrow and uninspiring existence
that revolves around fish and chores. Yet while he is off fishing, Ia has
precious moments to herself. In this fragile private sanctuary, Ia collects an
array of objects offered up by the ocean, and recalls her past in painful yet
vivid detail. In an attempt to merge her two worlds into a solid whole, Ia seeks
something bigger than herself to cherish, adore, and mold into beauty.
Somehow, against
the backdrop of a broken country submerged in floodwaters and riddled with
gangs, the grey world seems to relent; the ocean brings Ia the most precious
gift yet; a splash of colour in the form of a child.
All Rivers Run Free is steeped in the unexpected and is all the more impressive for it.
Perhaps the most striking feature of this novel is not the intensely dramatic
and beautiful imagery, but the jarring nature of the prose itself. While Ia is
a barb in the fabric of society – isolated and rough to the touch – so too is
this narrative interrupted by something unfamiliar and distracting, yet
undeniably vital.
Carthew has poetry
in her, that much is obvious.
As Ia strives to
meet her past and dabble in possibility, she must learn her world anew. While undertaking
this journey, the reader is not just invited into Ia’s universe, but her heart
and soul; her mind. All Rivers Run Free
features strikingly chaotic steam-of-consciousness that disjoints a sense of
reality and duplicates the protagonist’s fragmented thoughts. Carthew’s style leaves
you dumbstruck but yearning; reeling in a comforting strangeness composed of
the thoughts of another.
This book is
immersion in the deepest, darkest sense. It’s a monumental achievement of
providing the unsuspecting reader with an addictive discomfort - a masochism of
the mind.
If you read only
one book this year, let it be this. All
Rivers Run Free is unparalleled – it is gritty, artistic and disturbing in
the best sense. This story is equal parts beauty and brutality, and will stay
with you long after you think you’re done with it; a pleasant and necessary haunting.
All Rivers Run Free
by Natasha Carthew is published by Riverrun books, an imprint of Quercus, and
is available in South Africa from Jonathan Ball Publishers.
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