Anjum leads
a rather unconventional life. Born Aftab, the longed-for son of parents blessed
with hordes of daughters, Anjum was never truly that. A hybrid being, a Hijra, Anjum decides to be the creator
of her own fate, despite the heartache and bliss this authors.
The Ministry of Utmost Happiness is her story, punctuated by the
tales of her kin, and those she loves. Spanning several years and as many
disasters, her place within India and its vibrant people is firmly etched. Between
politics, war, and religion, and amid corpses and forgotten names, Anjum’s life
is a journey of any visitors.
The
conclusion of our tale is nothing as straightforward or trivial as a happy
ending, but comes close through a profound sense of peace and finality. While wrongs
can never be righted, nor the dead brought back to life, Anjum and her brethren
remind us that there is power in starting over, in forgiveness, and in
acceptance.
Deeply
poetic and profoundly dark, The Ministry
of Utmost Happiness is a daring dance between utter despair and a literary
masterpiece, a noteworthy read which stands apart from its contemporaries, unapologetic
and confrontational and yet pleasantly so. Here is a narrative which cannot be
evaded or avoided – strap on your shoes, for you are about to walk several
hundred miles in the ill-fitting shoes of imperfectly beautiful characters.
The Ministry of Utmost Happiness is a weighty tale with heavy
conscience, yet its frank descriptions and colourful language add a delightful
sharp edge. It is well worth the time to read and digest.
The Ministry of Utmost
Happiness by Arundhati Roy is published by Penguin Random House.