Following a
gruesome massacre at her daycare, Rhiannon was the sole survivor amid a score a
children’s corpses. However, she was struck in the head with a hammer, and
since then her brain has been different. After several years in therapy, and
relearning how to walk and talk, Rhiannon has perfected what she calls The Act.
A boyfriend, job and group of friends ensure that The Act is maintained – a play
of being normal, conventional. However, underneath her perfected exterior is a
murderous mind inclined to violence, and fueled by an ever-expanding kill list.
When opportunities present themselves, Rhiannon’s two worlds collide, and The
Act has intervals of murder.
Sweet Pea is a bubble
of conflict. While it is refreshing that the story features a female lead
hell-bent on murder and discord (as Rhiannon herself admits – nobody suspects a
woman), our protagonist lacks depth. Where there could be sneaky psychology,
there is a bombardment of crass swearing and language, a fixation on sex, and a
one-dimensional rage that together provide the feeling that the author is
trying too hard to make a female a killer, and unhinged at that. Sadly,
Rhiannon’s execution and thinking seem forced and contrived, redeemed only by an
immensely clever plot with unexpected twist. While the character leaves much to
the imagination, the execution of her dastardly deeds is pure brilliance – had Rhiannon
been different, this book would have been on another level.
Sweet Pea remains
enjoyable – a good way to pass the time, and heralds a first – albeit shaky –
in the presentation of a female bad guy.
Sweet Pea by CJ Skuse
is published by HG (an imprint of Harper Collins) and is available in South
Africa from Jonathan Ball Publishers.
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