Sara and
Neil have new neighbours. The run-down house next door is now home to Gavin and
Lou, an artist and film-maker, respectively, and their children. While the new
couple may not conform to the neighbourhood’s view of what a family should look
like, Sara finds herself drawn to their carefree lifestyle and passion.
Neglecting other long-standing relationships and judgements, Sara and Neil find
themselves immersed in a new world of art, liberation and creativity. However,
when their amended behavior no longer conforms to that of their artistic
friends, the relationship begins to sour, and Sara takes note of all that is
wrong with her previously brilliant new friends. Tensions arise and
relationships take strain in an effort to put wrongs to rights.
While one
can’t help but cringe and think “first-world problems” throughout much of the
book, The People at Number 9 remains a
highly enjoyable read. Sara is certainly not the most likeable character, with
her intrinsically skewed moral compass and tendency to embody everything that
is wrong with the middle-class, yet her downfall is precisely what gives the
book its charm and addictiveness. You may want to slap the main character, but
you won’t want to put the book down to do it.
The story
serves as a crucial reminder to be true to oneself, and not be swayed by the
views and opinions of others. As our protagonist is consumed by obsession and a
desire to change who she is, we’re reminded of the perils of this way of
thinking and acting. Of even greater importance is Felicity Everett’s
illustration of all that can go wrong in a life without integrity and honesty.
From simple misunderstandings and yearnings, a plethora of irreversible damage
arises.
The People
at Number 9 by Felicity Everett is published by HQ, an imprint of Harper
Collins, and is available in South Africa from Jonathan Ball Publishers.
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